Photo credit BBC/UK Telegraph
There have been a lot of Jane Austen articles and/or clickbait online this year–they have been so plentiful that I’ve been saving the links to re-read and digest them. Usually I print them out and save them for the train ride commuting to or from work. Megan Garber, wrote a very interesting essay back on July 17, 2017 via The Atlantic online. The complete title as noted above is — Colin Firth’s Shirt: Jane Austen and the Rise of the Female Gaze.
Ms. Garber starts off with the recent exhibit held at the Folger Shakespeare Library in Washington, DC: “Will & Jane: Shakespeare, Austen, and the Cult of Celebrity.” Sadly I did not make it down to DC to see this exhibit, I did however enjoy many photos by writers, and Janeites who did travel there and posted the photos online.
One of the key items on display she describes was, “the shirt,” the tunic worn by actor Colin Firth in the BBC’s 1995 adaptation of Pride and Prejudice. Ms. Garber contends, as many others that the scene where Mr. Darcy was a pivotal cinematic, soon to become iconic moment, “he dives in –clad in nothing, at this point, but his breeches and THE SHIRT.” Correctly, Ms. Garber notes the displeasure of many Austen scholars and perhaps some more traditional Janeites, since that scene is no where in the book at all and that the film’s director Andrew Davies took a bit of liberty objectifying Darcy, “proud and prejudiced and Fabio-ed.”
Would like to pause here and say a couple of things. First, Pride and Prejudice was the first Austen I ever read, back in the early 1990’s as part of a classic novel course in college. A young 20-something I was juggling a modern/popular novels class at the same time–which lead to the unfortunate timing of reading Gone with the Wind at the same time as Moby Dick — kid you not.
At the time, I liked Pride and Prejudice, but I sort of was bemused by the barriers drawn between economic class levels, the idea that everyone was worried about everyone’s honor, and of course marrying off the girls. In short, I missed a lot, in a word — whoosh.
Our classics teacher did show us a film version of Pride and Prejudice, the old Hollywood black and white version starring Greer Garson–who was a lovely Elizabeth Bennet, and Sir Laurence Olivier was a dark, brooding Mr. Darcy. To be noted, the Hollywood version of this film did not follow Austen’s book very closely either, most notably inserting the archery scene. Also the ending was tweaked with Darcy’s aunt, Lady Catherine paying a faux visit to truth test Elizabeth’s intentions, and not to express her blustering outrage as in the book. Most of all, the gowns are not period appropriate, it’s like someone raided an old Civil War stockroom on a studio back lot, and then decided to call it a day.
My mum still loves this version, and Olivier’s portray of Darcy is her favorite. Generational speaking, I’m more partial to the 1995 version which yes did spur me to re-read Pride and Prejudice, which was the beginning of my becoming a Janeite. The scene that most impresses me is when Darcy visit’s Elizabeth at the Collin’s parsonage cottage, and is sort of trying to find out how she would feel about living so far away from her parents at Longbourne. This scene was in the book where they discuss travel distances and “good road,” and I think Mr. Firth, did a really excellent, subtle job of Darcy’s sort of trying to find out how she felt, in of course in his planning to propose to her. Lizzie of course has no real idea what he is fishing for here–she’s is freaked out and put out by his surprise visit.
On going back to the essay, Ms. Garber makes an interesting point that the pond dive sort of humanizes, if not objectifies Mr. Darcy into a characterization beyond a stereotype–of a wealthy man, “both something simpler and more radical: a sex object.” Agreed, it’s interesting and certainly an ongoing debate among Janeites — the idea of a favorite Austen hero, romantic lead is often divided, and again I think generationally. Although these days, I tend to agree with the younger Janeites and vote for team Captain Wentworth.
Darcy though I would say is the origin of the bad boy with the heart of gold–again really an iconic character in literature, film and even sadly in real life. Sometimes you people who are obsessed with the “bad boys” or “bad girls,” and I think they are sort of mistaken in their reality–that this person is misunderstood in some way– they will not accept that is not going to turn around into someone they can love forever. And I’m not citing Austen here, because I don’t think the majority of these people have even read Austen–although I do think it remains a strong and much large part of inter-relational culture.
If I had to give a current pop culture example I would cite, MTV’s Catfish the TV Show, which although it has been scripted and edited, revisits the same theme again and again, as people falling for the perfect persona online–the illusion–but they cannot one hundred percent connect with this person–even the evasive and/or bad behavior does not seem to dissuade them. The people featured on this show/or who participate–seem to almost know they will be disappointed and deceived but seem to need some sort of closure to the deception that they participated in, sometimes sadly for years–in the hopes this person would turn around and there would be some sort of a resolution of being together.
Austen often deals with the idea of illusion in Pride and Prejudice, the idea of giving a poor first impression is significant, from Mr. Darcy’s rude dismissal of Elizabeth, to Mrs. Bennet’s gossiping tenacity, and Mr. Collin’s braying condescension–these characters are imprinted on the reader’s experience and we see though–Austen’s intentions behind some of their motivations later with Darcy trying to explain to Lizzie that he has issues talking with strangers (social anxiety), and ties back in somewhat the reality of Mrs. Bennet’s ongoing quest to marry of her daughters bringing her almost to a nervous collapse. Mr. Collins, not so much–I think Austen was just having fun with the obnoxious parson persona–and I think also sometimes Austen used her own mother’s ailments to inspire Mrs. Bennet’s nerves.
Garber’s article continues on, tackling Austen’s other characters, including Willoughby and Mr. Collins, “Austen had her own Willoughby, it seems — Thomas Lefroy, an Irish political, whose family disapproved of the match–and also perhaps, her own Collins: Harris Bigg-Wither, a man of wealth and education whose proposal of marriage she accepted in December of 1802 and then, the next day refused.) To note, I’m not really in hundred percent agreement with either of Ms. Garber’s theories here. Lefroy is long thought to the be the model for Mr. Darcy. To say, he’s the model for Willoughby is interesting, but I think Austen pulled the model for both Wickham and Willoughby more from the general fear and/or experience of the times. To my knowledge, Lefroy never had any kind of a scandal of running off with a girl and then abandoning her. As for Mr. Bigg-Withers, the Austen’s remained connected to the family, and while he was certainly solvent, I think there are many theories about why Austen refused, most of all through her letters to younger nieces and the importance of marrying for love. Which Garber points out, was a new-fangled concept in those days. Here is a link to the article, and it is worth a read: https://www.theatlantic.com/entertainment/archive/2017/07/who-gaze-on-the-men-in-jane-austen/533415/